

Six Duets for two violins op.8
Buy this item (in stock)
Product ID: GC4 VLN1a
By François-Hippolyte Barthélémon
Publisher:
Grancino Editions
Line Up:
Violin Duet (Solo: Violin Duet)
Performance Score
This item is in stock
About this item
ca. 1778
Reviews and rating
No review available, be the first to write one!


Composer
François-Hippolyte Barthélémon
François Barthélemon was born in Bordeaux (Gironde), France. He received his education in Paris, where he studied musical composition and violin, and performed in the orchestra of the Comédie-Italienne. In 1764, he traveled to England to lead a band at the King’s Theatre and at Marylebone Gardens where he was received with enthusiasm. This led to a commission for his first dramatic stage work, Pelopida, an opera in three acts in the Italian style that was performed at the King’s Theatre in 1766. David Garrick of the Drury Lane Theatre engaged him to compose music to Garrick’s two-act farcical burletta based on the Orpheus myth, which premiered in 1768. In the same year, Barthélemon also premiered Oithona, a three-act dramatic operatic poem; La fleuve Scamandre ("The Scamander River"), a French-style comic opera based on a Greek myth; and The Judgment of Paris, another two-act burletta. Further engagements lead him to decide to stay in England, where he wed soprano and composer Polly Young and raised a family.
Barthélemon’s dashing French style of composition allowed him to produce musical entertainments in a wide range of styles. He composed salon music and chamber music, as well as volumes of popular songs, some of which were published in London in 1790. The King’s Theatre engaged him to write ballet music. Barthélemon also composed scenes for humorous English ballad operas and for masques. The Maid of Oaks, a masque within a comedy in five acts based on Sylvain by Jean-François Marmontel, enjoyed much success in 1774.
More info about the composer...