Molly on the Shore
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Product ID: LW1 50200009
By Percy Grainger
Publisher:
LudwigMasters
Arranger:
Perna
Series:
Percy Grainger Series
Line Up:
Symphony Orchestra
Duration:
4:15
Level: 5
Full Score
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About this item
Published for the first time, this unique and colorful re-orchestration of Grainger's Molly on the Shore was made specifically for conductor Leopold Stokowski. This edition has the added feature of making available both Grainger's and Stokowski's endings. Part of the ongoing Percy Grainger Series (exclusively endorsed by the International Percy Grainger Society), the publication of the Grainger-Stokowski version of "Molly" makes available for the first time this classic convergence of two musical giants.
Instrumentation
1 Full Score
1 PICCOLO
1 FLUTE 1
1 FLUTE 2
1 OBOE 1
1 Cor Anglais
1 Bb CLARINET 1
1 Bb CLARINET 2
1 BASSOON 1
1 BASSOON 2
1 CONTRA BASSOON
1 F HORN 1
1 F HORN 2
1 F HORN 3
1 F HORN 4
1 Bb TRUMPET 1
1 Bb TRUMPET 2
1 TROMBONE 1
1 TROMBONE 2
1 TROMBONE 3
1 TUBA
1 TIMPANI
3 PERCUSSION
1 Glockenspiel
1 Vibraharp
8 VIOLIN 1
8 VIOLIN 2
5 VIOLA
5 CELLO
5 STRING BASS
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Composer
Percy Grainger (1882-1961)
George Percy Aldridge Grainger (8 July 1882 – 20 February 1961), known as Percy Grainger, was an Australian-born composer, arranger and pianist. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. He also made many adaptations of other composers' works. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune "Country Gardens".
Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a champion of Nordic music and culture, his enthusiasm for which he often expressed in private letters in explicitly racist and anti-Semitic terms.
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