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Parade of the Tin Soldiers

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€ 32,00

Product ID: MZ3 EM004
By Léon Jessel
published: 1903

Publisher:
Muzika
Arranger:
Van de Goot
Series:
Ensemble Music
Line Up:
Flexible Instrumentation
Duration:
3:00
Level: 2

Set & Score


This item is in stock

About this item

-from the Max Fleischer Animationfilm Parade of the Wooden Soldiers (1933)


Instrumentation

1 Score
1 Piano
4 Part 1 in C treble clef
2 Part 1 in Bb treble clef
4 Part 2 in C treble clef
4 Part 2 in Bb treble clef
6 Part 3 in C treble clef
4 Part 3 in Bb treble clef
1 Part 3 in Eb treble clef
1 Part 3 in F treble clef
3 Part 4 in C alto clef
2 Part 4 in Bb low treble clef
1 Part 4 in Bb high treble clef
2 Part 4 in Eb treble clef
2 Part 4 in F treble clef
2 Part 5 in C bass clef
2 Part 5 in Bb bass clef


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Parade of the Tin Soldiers
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Composer
Léon Jessel

Leon Jessel, or Léon Jessel (January 22, 1871 – January 4, 1942) was a German composer of operettas and light classical music pieces. Today he is best known internationally as the composer of the popular jaunty march "The Parade of the Tin Soldiers," also known as "The Parade of the Wooden Soldiers." Jessel was a prolific composer who wrote hundreds of light orchestral pieces, piano pieces, songs, waltzes, mazurkas, marches, choruses, and other salon music. He achieved considerable acclaim with a number of his operettas — in particular Schwarzwaldmädel (Black Forest Girl), which remains popular to this day. Because Jessel was a Jew by birth (he converted to Christianity at the age of 23), with the rise of Nazism in the late 1920s, Jessel's composing virtually came to an end, and his musical works, which had been very popular, were suppressed and nearly forgotten. Jessel's biggest success was the operetta Schwarzwaldmädel (Black Forest Girl), which premiered at the Komische Oper in Berlin in August 1917. The opera's touching libretto, appealing melodies, and elegant instrumentation proved immensely popular, and it ran in Berlin for 900 performances, and within the next 10 years was performed approximately 6,000 times in Germany and abroad. Schwarzwaldmädel has been recorded numerous times over many decades, and has been filmed and televised numerous times as well. Jessel also had a major success with his 1921 operetta Die Postmeisterin (The Postmistress), and in total he wrote nearly two dozen operettas.
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