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Berceuse and Finale -from Firebird Suite

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€ 89,00

Product ID: BM1 CO00137
By Igor Stravinsky

Publisher:
Belwin Mills
Arranger:
Merle Isaac
Series:
Belwin Concert Full Orchestra
Line Up:
Symphony Orchestra
Duration:
6:00
Level: 5

Set & Score


This item is out of stock

About this item

This fabulous Isaac arrangement from "Firebird Suite" is available again! "Berceuse and Finale" is one of the editors' personal favorites for festival. Stravinsky at its best and perfectly arranged for high school orchestra! A Belwin Classic orchestra piece.


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Berceuse and Finale -from Firebird Suite
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Composer
Igor Stravinsky (1882-1971)

Igor Fyodorovich Stravinsky (17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian-born, naturalized French, later naturalized American composer, pianist, and conductor. He is widely acknowledged as one of the most important and influential composers of 20th century music. He was named by Time magazine as one of the 100 most influential people of the century. He became a naturalized French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design. After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
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